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Photo: Courtesy The Art Institute of Chicago, Robert Allerton Fund, 1979.54
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Side chair


Object number

RIF78

Maker

Maker Unknown

Dimensions

106.363 x 52.705 x 40.64 cm (41 7/8 x 20 3/4 x 16 in.)

Date

1740–1760

Current location

The Art Institute of Chicago

Geography

Possibly made in Newport, Rhode Island, or possibly made in Boston
(view a map of Rhode Island)

Medium

Walnut (primary); pine (glue blocks of seat [original?])

Marks

None

Inscriptions

“///,” incised on rabbet of front seat rail; “4 [later?],” in graphite, on proper-right interior side of rear seat rail; “3 [later?],” in graphite, on proper-left interior side of rear seat rail; illegible graphite, on underside of medial stretcher

Style

Queen Anne

Provenance

Israel Sack, Inc., New York, before 1965; sold to Ralph E. Carpenter, Jr., Scarsdale, New York, by 1965; sold to Israel Sack, Inc., New York, by 1979; sold to the Art Institute of Chicago, 1979

Associated names

Israel Sack Collection
Ralph E. Carpenter, Jr.
Israel Sack, Inc.

See also


Bibliography

American Antiques from Israel Sack Collection, 10 vols. (Washington, D.C.: Highland House Publishers, 1957–1989), vol. 6, p. 1650, P4768.
Joseph K. Ott, The John Brown House Loan Exhibition of Rhode Island Furniture, exh. cat. (Providence: The Rhode Island Historical Society, 1965), 4–5, no. 4.
John T. Kirk, American Chairs: Queen Anne and Chippendale (New York: Alfred A. Knopf, 1972), 127, 186, fig. 156, 246.
Ralph E. Carpenter, Jr., "Mowbra Hall and a Collection of Period Rooms: Part I," Connoisseur 180 (June 1972): 85, fig. 8.
Michael Moses, Master Craftsmen of Newport: The Townsends and Goddards (Tenafly, N.J.: MMI Americana Press, 1984), 274, fig. 7.3.
Judith A. Barter et al., American Arts at the Art Institute of Chicago (Chicago: The Art Institute of Chicago, 1998), 63–64, no. 12, ill.
Milo M. Naeve, "A New England Chair Design of 1730-1760 and Attributions to the Job Townsends of Newport," Newport History: Bulletin of the Newport Historical Society 72 (Spring 2003): 2, 13–17, charts I–IV, fig. 1.