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Photo: Courtesy private collection
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Card table, one of a pair

Object number



Maker Unknown


Closed: 27 9/16 36 1/8 17 13/16 in. (70.01 91.76 45.24 cm) Depth, open: 35 5/8 in. (90.49 cm)



Current location

Private Collection


Made in Rhode Island
(view a map of Rhode Island)


Mahogany, mahogany veneer, and light and dark wood inlay (primary); maple (stationary rail); birch (hinged rail); pine (laminates of curved rails)




Centering marks, in graphite, on top of wooden hinge of hinged rail


Asa Pierce (1761–1842) and his wife Nancy Hathaway, Somerset, Massachusetts; by descent to their son Isaac Pierce (ca. 1791–1851) and his wife Anna Maria Chase (ca. 1799–1892), Somerset, Massachusetts; by descent to their son John Quincy Pierce (ca. 1823–1899) and his wife Christina M. Hasselgreen (1834–1915), Somerset, Massachusetts; by descent to their son John Isaac Pierce (1866–1937) and his wife Alice Fessenden (1867–1925), Somerset, Massachusetts; by descent to their son David Fessenden Pierce (1899–1925) and his wife Helen Roosevelt Davis (1901–2006), Swansea, Massachusett; by descent to their son David Roosevelt Pierce (1927–2015) and his wife Anna Rupert Biggs, Swansea, Massachusetts; consigned to New England Gallery, Andover, Massachusetts, 2004; sole to a private collection, 2004

Associated names

Asa Pierce
Nancy Hathaway
Isaac Pierce
Anna Maria Chase
John Quincy Pierce
Christiana M. Hasslegreen
John Isaac Pierce
Alice Fessenden
David Fessenden Pierce
Helen Roosevelt Davis
David Roosevelt Pierce
Anna Rupert Biggs
New England Gallery


The single-board, half-round top has a cove-molded edge and is fixed to its conformingly shaped frame by five screw pockets ? two in the inside face of the rear interior rail, and one each in the inside face of each portion of the thrice-laminated front rail. It is joined to its conformingly shaped, line-inlaid, leaf-scribed upper leaf (with a line-and-diamond inlaid square edge) by two pairs of brass hinges, set into the rear corners of each leaf edge. There are no leaf-edge joints. The front legs are joined to the veneered and inlaid front rail with two screws a piece ? the upper screw is countersunk, the lower screw is not. The rear interior rail is fixed to the stationary portion of the rear exterior rail by rosehead nails. The swinging and stationary portions of the rear exterior rail are tenoned and double-wood-pinned to the tops of the rear legs. The proper right end of the stationary rail meets the rear corner of the frame in rabbeted dovetail joints, having a large, thick-necked pin with half-pins above and below. The swinging rail moves by means of a square, carved wood, five-knuckled hinge. The top of the leg at the swing leg is rabbeted to fit over the dovetailed frame corner. The square, tapering legs are flower-and-line inlaid on their outside faces only. Each leg has and inlaid cuff on all but its inward-facing side. Examined by P.E. Kane and J.N. Johnson, March 1,2014; notes compiled by T.B. Lloyd.


The floral inlay on this card table is related to inlay found on other Rhode Island card tables (see RIF709, RIF4259, RIF4262, and RIF5026).

Related objects

See also


Brock Jobe, Gary R. Sullivan, and Jack O'Brien, Harbor and Home: Furniture of Southeastern Massachusetts, 1710–1850 (Hanover, N.H.: University Press of New England, 2009), 138–39, no. 43, pl. 43.
Patricia E. Kane et al., Art and Industry in Early America: Rhode Island Furniture, 1650–1830, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2016), 429n8.