Art Institute of Chicago


Alternate name(s)

Martha Tedeschi, Therese Maria Peskowits, Darrell Green, Susanna Hedblom

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Bibliography

From Colony to Nation; an Exhibition of American Painting, Silver and Architecture from 1650 to the War of 1812, exh. cat. (Chicago: Art Institute of Chicago, 1949).
Alan R. Sawyer, The Nathan Cummings Collection of Ancient Peruvian Art (formerly Wassermann-San Blás collection) Handbook (Chicago: Art Institute of Chicago, 1954).
Helen C. Gunsaulus, The Clarence Buckingham Collection of Japanese Prints: The Primitives, exh. cat. (Chicago: Art Institute of Chicago, 1955).
Art Institute of Chicago, Corot 1796-1875: an exhibition of his paintings and graphic works, the Art Institute of Chicago, October 6 through November 13, 1960, exh. cat. (Chicago: Art Institute of Chicago, 1960).
Art Institute of Chicago, Corot 1796-1875: an exhibition of his paintings and graphic works, the Art Institute of Chicago, October 6 through November 13, 1960, exh. cat. (Chicago: Art Institute of Chicago, 1960).
Primitive Art from Chicago Collections, exh. cat. (Chicago: Art Institute of Chicago, 1960).
David A. Hanks, American Art of the Colonies and Early Republic, exh. cat. (Chicago: Art Institute of Chicago, 1971).
Donald Jenkins, Ukiyo-e Prints and Paintings: The Primitive Period, 1680–1745, exh. cat. (Chicago: Art Institute of Chicago, 1971).
John W. Keefe, The Antiquarian Society of the Art Institute of Chicago: The First One Hundred Years, exh. cat. (Chicago: Art Institute of Chicago, 1977).
Rebecca Stone-Miller, The Ancient Americas: Art from Sacred Landscapes, ed. Richard F. Townsend, exh. cat. (Chicago: Art Institute of Chicago, 1992).
Judith A. Barter et al., American Arts at the Art Institute of Chicago (Chicago: Art Institute of Chicago, 1998).
Richard F. Townsend, ed., Ancient West Mexico: Art and Archaeology of the Unknown Past, exh. cat. (Chicago: Art Institute of Chicago, 1998).
Douglas W. Druick and Peter Kort Zegers, Sample Exh Cat: Van Gogh and Gauguin: The Studio of the South, exh. cat. (Chicago: Art Institute of Chicago, 2001).
Art Institute of Chicago, Seurat and the Making of "La Grande Jatte" (Chicago: Art Institute of Chicago, 2004).
Art Institute of Chicago, Seurat and the Making of "La Grande Jatte" (Chicago: Art Institute of Chicago, 2004).
Robert L. Herbert et al., Seurat and the Making of La Grande Jatte, exh. cat. (Chicago, Ill.: Art Institute of Chicago, 2004).
Melanie Anne Herzog, Elizabeth Catlett: In the image of the people, exh. cat. (Chicago: Art Institute of Chicago, 2005).
Martha Tedeschi, Watercolors by Winslow Homer: The Color of Light, exh. cat. (Chicago: Art Institute of Chicago, 2008).
James Rondeau and Sheena Wagstaff, Roy Lichtenstein: A Retrospective, exh. cat. (Chicago: Art Institute of Chicago, 2012).
Diane Miliotes, What may come : the Taller de Gráfica Popular and the Mexican political print = Lo que puede venir : El Taller de Gráfica Popular y el grabado político mexicano., exh. cat. (Chicago: Art Institute of Chicago: Art Institute of Chicago, 2014).
William Laffan and Christopher P. Monkhouse, Ireland: Crossroads of Art and Design, 1690–1840 (Chicago: Art Institute of Chicago, 2015).
American silver in the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2016).
Matthew S. Witkovsky, Moholy-Nagy: Future Present, exh. cat. (Chicago: Art Institute of Chicago, 2016).
Matthew S. Witkovsky et al., Revoliutsiia! Demonstratsiia!: Soviet Art Put to the Test, exh. cat. (Chicago: Art Institute of Chicago, 2017).