The Metropolitan Museum of Art, American, founded New York, 1870

Alternate name(s)

Julie Jones

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Bibliography

Marshall B. Davidson and Elizabeth Stillinger, The American Wing at the Metropolitan Museum of Art (New York: The Metropolitan Museum of Art, 1985).
Alisa LaGamma, Art and Oracle: African Art and Ritual of Divination, exh. cat. (New York: The Metropolitan Museum of Art, 2000).
James Biddle, American Art from American Collections: Decorative Arts, Paintings, and Prints of the Colonial and Federal Periods from Private Collections, exh. cat. (New York: The Metropolitan Museum of Art, 1963).
Henry W. Kent and Florence N. Levy, The Hudson-Fulton Celebration: Catalogue of an Exhibition Held in The Metropolitan Museum of Art, 2, exh. cat. (New York: The Metropolitan Museum of Art, 1909).
Frances Gruber Safford, American Furniture in the Metropolitan Museum of Art: 1. Early Colonial Period, The Seventeenth-Century and William and Mary Styles (New York: The Metropolitan Museum of Art, 2007).
Notable Acquisitions, 1980-1981 (New York: The Metropolitan Museum of Art, 1981).
Frances Gruber Safford, The Art of Joinery: Seventeenth-Century Case Furniture in the American Wing, exh. cat. (New York: The Metropolitan Museum of Art, 1972).
Kate Ezra, African Ivories, exh. cat. (New York: The Metropolitan Museum of Art, 1984).
Patricia E. Kane, Sample Exh Cat: Massachusetts Glass, ed. John Stuart Gordon, 2 vols., exh. cat. (New York: The Metropolitan Museum of Art, 1992).
R. T. Haines Halsey and Charles O. Cornelius, A Handbook of the American Wing (New York: The Metropolitan Museum of Art, 1925).
R. T. Haines Halsey and Charles O. Cornelius, A Handbook of the American Wing (New York: The Metropolitan Museum of Art, 1926).
R. T. Haines Halsey and Charles O. Cornelius, A Handbook of the American Wing (New York: The Metropolitan Museum of Art, 1928).
R. T. Haines Halsey and Charles O. Cornelius, A Handbook of the American Wing (New York: The Metropolitan Museum of Art, 1932).
R. T. Haines Halsey and Charles O. Cornelius, A Handbook of the American Wing (New York: The Metropolitan Museum of Art, 1938).
R. T. Haines Halsey, Charles O. Cornelius, and Joseph Downs, A Handbook of the American Wing (New York: The Metropolitan Museum of Art, 1942).
Morrison H. Heckscher, John Townsend: Newport Cabinetmaker, exh. cat. (New York: The Metropolitan Museum of Art, 2005).
J. E. Curtis and Julian E. Reade, eds., Art and Empire: Treasures from Assyria in the British Museum, exh. cat. (New York: The Metropolitan Museum of Art, 1995).
Marvin D. Schwartz, American Furniture of the Colonial Period: The Metropolitan Museum of Art (New York: The Metropolitan Museum of Art, 1976).
A Walk through the American Wing, exh. cat. (New York: The Metropolitan Museum of Art, 2001).
R. W. Corrie, The glory of Byzantium: art and culture of the Middle Byzantine era, A.D. 843-1261, eds. William D. Wixom and Helen C. Evans (New York: The Metropolitan Museum of Art, 1997).
Sarah T. Brooks, ed., Byzantium, Faith, and Power (1261–1557): Perspectives on Late Byzantine Art and Culture (New York: The Metropolitan Museum of Art, 2006).
Werner Spies and Sabine Rewald, eds., Max Ernst: A Retrospective, exh. cat. (New York: The Metropolitan Museum of Art, 2005).
Maria Cristina Bandera and Renata Miracco, eds., Giorgio Morandi 1890–1964, exh. cat. (Milan: Albert Skira, 2008).
Elizabeth Kennedy Easby and John F. Scott, Before Cortés, Sculpture of Middle America: A Centennial Exhibition at the Metropolitan Museum of Art from September 30, 1970 through January 3, 1971, exh. cat. (New York: The Metropolitan Museum of Art, 1970).
Harry B. Wehle, A Catalogue of Italian, Spanish, and Byzantine Paintings (New York: The Metropolitan Museum of Art, 1940).
R. W. Corrie, The Glory of Byzantium: Art and Culture of the Middle Byzantine Era A.D. 843-1261, eds. Helen C. Evans and William D. Wixom (New York: The Metropolitan Museum of Art, 1997).
Anne Derbes and Amy Neff, Byzantium: Faith and Power (1261–1557), ed. Helen C. Evans (New York; New Haven, Conn.: The Metropolitan Museum of Art, 2004).
Gisela Marie Augusta Richter and Marjorie Milne, Shapes and Names of Athenian Vases (New York: The Metropolitan Museum of Art, 1935).
Carrie Rebora Barratt et al., American Stories: Paintings of Everyday Life 1765–1915, eds. H. Barbara Weinberg and Carrie Rebora Barratt, exh. cat. (New Haven, Conn.: The Metropolitan Museum of Art, 2009).
Federico Zeri and Elizabeth Gardner, Italian Paintings. A Catalogue of the Collection of the Metropolitan Museum of Art: Venetian School (New York: The Metropolitan Museum of Art, 1974).
R. T. Haines Halsey and Charles O. Cornelius, A Handbook of the American Wing (New York: The Metropolitan Museum of Art, 1924).
Joseph Downs, American Chippendale Furniture: A Picture Book (New York: The Metropolitan Museum of Art, 1949).
Laurence Kanter and Pia Palladino, Fra Angelico (New York and New Haven, Conn.: The Metropolitan Museum of Art, 2005).
Berry B. Tracy et al., 19th-Century America: Furniture and Other Decorative Arts (New York: The Metropolitan Museum of Art, 1970).
Robert L. Herbert et al., Georges Seurat: 1859–1891, exh. cat. (New York: The Metropolitan Museum of Art, 1991).
Keith Christiansen, Laurence Kanter, and Carl Strehlke, The Arte della Lana altarpiece (New York: The Metropolitan Museum of Art, 1988).
Richard Brettell, Paul Hayes Tucker, and Natalie H Lee, Nineteenth and Twentieth Century Paintings in the Robert Lehman Collection (Princeton: The Metropolitan Museum of Art, 2009).
Mary Frame, Andean Four-Cornered Hats: Ancient Volumes, exh. cat. (New York: The Metropolitan Museum of Art, 1990).
Peter T. Furst, West Mexican Art: Secular or Sacred? The Iconography of Middle American Sculpture (New York: The Metropolitan Museum of Art, 1973).
Clara Louise Avery, American Silver of the Seventeenth and Eighteenth Centuries (New York: The Metropolitan Museum of Art, 1920).
Clara Louise Avery, An Exhibition of Early New York Silver, exh. cat. (New York: The Metropolitan Museum of Art, 1931).
R. T. Haines Halsey, Catalogue of an Exhibition of Silver in New York, New Jersey, and the South, exh. cat. (New York: The Metropolitan Museum of Art, 1911).
The China Trade and Its Influences, exh. cat. (New York: The Metropolitan Museum of Art, 1941).
R. T. Haines Halsey, Catalogue of an Exhibition of Silver Used in New York, New Jersey, and the South, exh. cat. (New York: The Metropolitan Museum of Art, 1911).
Ely Jacques Kahn, The Architect and the Industrial Arts, exh. cat. (New York: The Metropolitan Museum of Art, 1929).
Heidi King, Rain of the Moon: Silver in Ancient Peru, exh. cat. (New York: The Metropolitan Museum of Art, 2000).
Helen C. Evans and Brandi Ratliff, Byzantium and Islam: Age of Transition, 7th–9th Century, exh. cat. (New York: The Metropolitan Museum of Art, 2012).
Robert J. Holmgren and Anita E. Spertus, Early Indonesian Textiles from Three Island Cultures: Sumba, Toraja, Lampung (New York: The Metropolitan Museum of Art, 1989).
Diana Craig Patch, Dawn of Egyptian Art, exh. cat. (New York: The Metropolitan Museum of Art, 2011).
Douglas Cooper, ed., The Cubist Epoch, exh. cat. (New York: Los Angeles County Museum of Art, 1971).
Alan Priest, Chinese Sculpture in the Metropolitan Museum of Art (New York: The Metropolitan Museum of Art, 1994).
Perrin Stein et al., Artists and Amateurs: Etching in 18th Century France, exh. cat. (New Haven: The Metropolitan Museum of Art, 2013).
Beth Carver Wees and Medill Higgins Harvey, Early American Silver in The Metroplitan Museum of Art (New Haven: The Metropolitan Museum of Art, 2013).
Everett Fahy, The Wrightsman Pictures (New Haven, Connecticut: Yale University Press, 2005).
Colta Ives, Susan Alyson Stein, and Julie A. Steiner, The Private Collection of Edgar Degas: A Summary Catalogue (New York: The Metropolitan Museum of Art, 1997).
Alice Cooney Frelinghuysen, Splendid Legacy: The Havemeyer Collection (New York: The Metropolitan Museum of Art, 1993).
The Metropolitan Museum of Art, Loan exhibition of the works of Gustave Courbet, exh. cat. (New York: The Metropolitan Museum of Art, 1919).
The Metropolitan Museum of Art, Loan exhibition of the works of Gustave Courbet, exh. cat. (New York: The Metropolitan Museum of Art, 1919).
The Metropolitan Museum of Art and Henry O. Havemeyer, H.O. Havemeyer collection: catalogue of paintings, prints, sculpture and objects of art (New York: privately printed, 1931).
Louisine Waldron Havemeyer, Sixteen to to sixty: memoirs of a collector (New York: privately printed, 1961).
Musee Fabre, Montpellier, Dominique de Font-Réaulx, and Galeries Nationales du Grand Palais, Gustave Courbet, exh. cat. (Paris: The Metropolitan Museum of Art, 2008).
Dominique de Font-Réaulx et al., Gustave Courbet, exh. cat. (New York: The Metropolitan Museum of Art, 2008).
Sylvain Laveissière and Harry N. Abrams, Inc., Pierre-Paul Prud'hon, exh. cat. (Paris: Galeries Nationales du Grand Palais, 1998).
Michael Pantazzi et al., Corot: 1796-1875, exh. cat. (Paris: Reunion des Musees Nationaux, 1996).
Gary Tinterow et al., Corot, exh. cat. (New York: The Metropolitan Museum of Art, 1996).
Galeries Nationales du Grand Palais, National Gallery of Canada, and The Metropolitan Museum of Art, Corot, Connaissance des arts (Paris: Connaissance des Arts, 1996).
Konrad Hoffmann, The Year 1200: A Centennial Exhibition at the Metropolitan Museum of Art, February 12 through May 10, 1970, The Cloisters Studies in Medieval Art I, exh. cat. (New York: The Metropolitan Museum of Art, 1970).
Alan R. Sawyer, Ancient Peruvian Ceramics: The Nathan Cummings Collection (New York: The Metropolitan Museum of Art, 1966).
Along the Ancient Silk Routes, exh. cat. (New York: The Metropolitan Museum of Art, 1982).
Wen Fong, Summer Mountains, exh. cat. (New York: The Metropolitan Museum of Art, 1975).
Elizabeth Cleland, ed., Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry, exh. cat. (New York: The Metropolitan Museum of Art, 2014).
Christopher S. Lightfoot, Ennion Master of Roman Glass, exh. cat. (New York: The Metropolitan Museum of Art, 2014).
Adela Oppenheim et al., ed., Ancient Egypt Transformed: The Middle Kingdom, exh. cat. (New York: The Metropolitan Museum of Art, 2015).
Japanese costume: an exhibition of no¯ robes and Buddhist vestments, exh. cat. (New York: The Metropolitan Museum of Art, 1935).
Joanne Pillsbury et al., Design for Eternity: Architectural Models from the Ancient Americas, exh. cat. (New Haven, Conn.: The Metropolitan Museum of Art, 2015).
Martin Lerner, The Flame and the Lotus : Indian and Southeast Asian Art from the Kronos Collections (New York: The Metropolitan Museum of Art, 1984).
Murase Miyeko, The Written Image: Japanese Calligraphy and Painting from the Sylvan Barnet and William Burto Collection, exh. cat. (New York: The Metropolitan Museum of Art, 2002).
Wen Fong, Beyond representation: Chinese painting and Calligraphy, 8th–14th Century (New York: The Metropolitan Museum of Art, 1992).
The Metropolitan Museum of Art, Unfinished, exh. cat. (New Haven, CT: Yale University Press, 2016).
Elizabeth Mankin Kornhauser et al., Thomas Cole's Journey: Atlantic Crossings, exh. cat. (New York: The Metropolitan Museum of Art, 2018).
Pia Palladino, Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance, exh. cat. (New York: The Metropolitan Museum of Art, 2003).
Blair Fowlkes-Childs and Michael Seymour, The World Between Empires: Art and Identity in the Ancient Middle East, exh. cat. (New York: The Metropolitan Museum of Art, 2019).
Sheila R. Canby, Court and Cosmos: The Great Age of the Seljuqs (New York: The Metropolitan Museum of Art, 2016).
Elizabeth Mankin Kornhauser et al., Thomas Cole's Journey: Atlantic Crossing, exh. cat. (New York: The Metropolitan Museum of Art, 2018).
Denise Patry Leidy, Mother-of-Pearl: A Tradition in Asian Lacquer (New York: The Metropolitan Museum of Art, 2006).