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Photo: Courtesy private collection; photo by Laura Wulf
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Marble slab table

Object number



Maker John Goddard, American, 1723–1785


26 3/4 × 45 1/2 × 21 7/8 in. (67.945 × 115.57 × 55.563 cm)



Current location

Private Collection


Made in Newport, Rhode Island
(view a map of Rhode Island)


Mahogany (primary); chestnut (blocks); maple (back rail); marble top




Captain Anthony Low (1724–1802), Warwick, Rhode Island, 1755; by descent to his wife, Sarah Stafford Low (1737–1832), Warwick, Rhode Island; by descent to her son Samuel Low (1771–1863), Warwick, Rhode Island; by descent to his daughter Mrs. William Utter Arnold (née Phoebe Ann Low, 1801–1876), New York and Warwick and Providence, Rhode Island; by descent to her son William James Arnold (1843–1922), New York, and Providence and Warwick, Rhode Island; by descent to his daughter Hettie Frances Arnold (1869–unknown), Warwick, Rhode Island, before 1936; sold to Harry Arons (1891–1967), Ansonia, Connecticut, 1936; sold to a private collection, about 1936; sold to Harry Arons, Ansonia, Connecticut, 1963; sold to Joseph K. Ott (1929–1994) and Anne Northrup Ott (1929–2015), Providence, Rhode Island,1963; consigned to Christie's, New York, January 20, 2012, lot 139; sold to a private collection

Associated names

Capt. Anthony Low
Joseph K. Ott
Harry Arons
Hettie Frances Arnold
Sarah Stafford Low
Samuel Low
Phoebe Ann Low
William James Arnold
Anne Northrop Ott
Phoebe Greene Low


The oblong marble top has a double-serpentine front, with outset serpentine corners. The sides are serpentine; the back edge is straight. At the outside edges, the top steps down slightly and has a quarter round profile. The conformingly fronted rails below have straight inside faces and are tenoned, with two wood pins at each joint, to the tops of each of the four cabriole legs, which have rounded knees and ankles, angular inside corners, and shod pad feet. Each interior corner of the frame is occupied by two vertical glue blocks; two pairs are triangular, two are rectangular. Each front leg has two and each back leg one carved knee bracket (one replaced), glued and nailed with brads to the adjoining rails and legs. On the underside of the knee brackets and rails are prominent rasp marks. On the interior face of the front rail are rough planning marks and rough, asymmetrical chamfering in the center. Examined by P.E. Kane, December 16, 2011; notes compiled by T.B. Lloyd.


Bill of sale associated with the slab table reads: "Recd: Newport, Sept. ye 15th 1755/ of Captain Antony Low Thirty Pounds in payt for a Mahogany Table Frame. [signed] John Goddard."


Morrison H. Heckscher, John Townsend: Newport Cabinetmaker, exh. cat. (New York: The Metropolitan Museum of Art, 2005), 44, 74, fig. 31–32.
Liza Moses and Michael Moses, "Authenticating John Townsend's and John Goddard's Queen Anne and Chippendale Tables," Antiques 121, no. 5 (May 1982): 1131, fig. 3.
Michael Moses, Master Craftsmen of Newport: The Townsends and Goddards (Tenafly, N.J.: MMI Americana Press, 1984), 196, 203, 209–210, 216, 219, pl. 6, fig. 4.3, 5.2, 5.5.
Joseph K. Ott, The John Brown House Loan Exhibition of Rhode Island Furniture, exh. cat. (Providence: The Rhode Island Historical Society, 1965), 52–53, 164, no. 40.
Joseph K. Ott, "Some Rhode Island Furniture," Antiques 107, no. 5 (May 1975): 948, 951, fig. 10.
"The Editor's Attic: Documented Goddard," Antiques 24, no. 1 (July 1933): 3, fig. 1.
Joseph K. Ott, "The John Brown House Loan Exhibition of Rhode Island Furniture," Antiques 87, no. 5 (May 1965): 566, fig. 7.
"Harry Arons advertisement," Antiques 83, no. 2 (February 1963): 144, ill.
Philip Zea, "The Serpentine Furniture of Colonial Newport," American Furniture (1999): 263–264, fig. 15–16.
Wendy A. Cooper, In Praise of America: American Decorative Arts, 1650–1830, Fifty Years of Discovery since the 1929 Girl Scouts Loan Exhibition (New York: Alfred A. Knopf, 1980), 28, fig. 26–27.
Wallace Nutting, Furniture Treasury, 1st ed., 3 vols. (Framingham, Mass.: Old American Company Publishers, 1928–33), vol. 3, p. 431 (line drawing), ill.
Christie's, New York, The Collection of Mr. and Mrs. Joseph K. Ott, sale cat. (January 20, 2012), 24–31, lot 139, ill.
Christie's New York, New York, Important American Furniture, Folk Art, Silver, and Chinese Export, sale cat. (January 19–20 and 23, 2012), 102, fig. 1.
Ralph E. Carpenter, Jr., The Arts and Crafts of Newport, Rhode Island, 1640–1820 (Newport, R.I.: Preservation Society of Newport County, 1954), 100.
Morrison H. Heckscher, American Furniture in the Metropolitan Museum of Art: Late Colonial Period, The Queen Anne and Chippendale Styles (New York: Random House, 1985), 159, 218.
Wallace Nutting, "A Sidelight on John Goddard," Antiques 30, no. 3 (September 1936): 120, fig. 2 (bill of sale only).
American Antiques from Israel Sack Collection, 10 vols. (Washington, D.C.: Highland House Publishers, 1957–89), vol. 3, p. 733.
Patricia E. Kane et al., Art and Industry in Early America: Rhode Island Furniture, 1650–1830, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 2016), 39, 224–227, 298, no. 34, fig. 1.
Christie's, New York, Highly Important American Furniture Deaccessioned from Stratford Hall Plantation, sale cat. (December 4, 2003), 31, fig. 2.